“What if viewers could blow up my stream?”
Yes, this is a question I have legitimately batted around for some time. In fact, I know exactly how I would do it.
Starting with a free green screen explosion from YouTube, I would chroma key out the green so that the explosion appeared as transparent. Once the smoke cleared, viewers would only see a black screen. Finally, the stream would shut itself off. All of this would be controlled by an expensive Channel Points redemption and automated through LioranBoard.
Blowing up the stream sounds cool and all. But exactly how does that effect actually improve my stream and help me achieve my goals on Twitch?
[This post is part of a blogging collaboration by Later Levels and Hundstrasse called #BloggersWhoStream. Make sure to give them both credit and follow the hashtag on Twitter for more posts from the community!]
Having a good mic won’t help your stream if it isn’t configured properly. Particularly if you have a condenser mic, which you probably do if you own a USB mic. Condenser mics – such as the Blue Snowball, Blue Yeti, or the Audio-Technica AT2020 among many others – work best in a controlled studio environment.
Unfortunately, most of us aren’t streaming in professional studios. Without any adjustments, your voice will probably distort when you get loud, be difficult to hear over your gameplay when you speak softly, and pick up weird ambient noises in-and-around your house.
It’s mission critical to address these issues, as your microphone is your primary method of communication and content creation on stream. You can address most of these issues in OBS, Streamlabs OBS, or whatever digital or analog mixer you may use. Follow along with this guide and it should get your microphone audio to a better place!
Does the old adage, “Good things come in small packages” hold true for the Blue Yeti Nano? This mini reboot of the wildly-popular original attempts to retain the overall sound quality of the original in a smaller package while removing a few features specifically designed for recording singing vocals or musical instruments. Blue’s hope is that the Nano will be your go-to mic for voice recording, podcasting, or streaming. Having bought one for myself, I put it through its paces.
I’m growing out of my Blue Snowball Ice. As an entry-level solution that provides decent sound and ease of use at a budget price, it’s a fantastic choice. By leveraging the built-in compressors, noise gates, and noise filters in OBS, I was able to address some of the mic’s issues while also improving its sound quality.
Even so, I’m at a point in my streaming career where I want a mic that sounds even better. However, I’m at a crossroads. Do I get a better USB mic? Or do I transition into an XLR setup?
Due to disappointing sale prices on items I’m not in the market for, I generally ignore Amazon Prime Day. To their credit, Amazon has gotten better deals each year and their gaming deals this time around were particularly strong. However, its deals on streaming equipment were what really got me hot under the collar.
When it comes to producing video content, I’ve come a long way from pointing a webcam at my TV. I can output video in 720p HD, live stream, and produce video segments for shows like Board Game Talk. Hope you have enjoyed at least some of my output thus far.
While there’s still much for me to learn in terms of the things I can do to produce a better product that go beyond hardware, I can’t ignore my hardware deficiencies. As I’ve become slightly more proficient at this, I continue to run into the same or new challenges that either slow down my workflow or prevent me from executing on my ideas as originally intended.
Below is a list of things I would like to add to my repertoire someday. It won’t be cheap, and I certainly don’t have the money to add most of these items to my collection any time soon, but if I want to push this video thing as far as I can go, I should have the right tools for the job.