Tetris Effect was not on my radar. I adore Tetris, to the point where I’ll gladly argue the stance that Tetris is the single greatest video game of all-time. However, it didn’t seem hard for me to build a case against me purchasing this particular version. Even with Tetsuya Mizuguchi’s flair for injecting games with hypnotic visuals and moving electronic music, the idea of paying $40 US/$50 CAD on a single-player-only version of Tetris seemed too hard to stomach. Especially when I’ve hemmed and hawed at picking up the cheaper-and-more-feature-complete Puyo Puyo Tetris on the Switch for over a year now.
Then the reviews happened. As of writing, it sits at an 89 on Metacritic, which is a fantastic score. All of a sudden, the game I’ve dismissed for largely rational reasons has flung to the top of my must-buy list. The only thing that’s changed is that a bunch of other people have said nice things about it.
In the world of urban fashion, the term often used for someone who chases trends is “hype beast”. If I really think about it, I am probably the video game equivalent of that. Sure, I’ll still play games and buy what I want based on my own personal motivations, and my final opinions on games are entirely my own, but the games I choose to buy and play can be heavily influenced by the conversations within the greater gaming zeitgeist. This is my story as a gaming hype beast.
In Third Person 